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SCC™ (Sonic Character Cloning) technology coupled with IK’s unique DSM™ (Dynamic Saturation Modeling) technology to provide the most realistic software emulation of vintage gear to date.

Standalone and plug-in versions available in the same package for use in all the most popular DAWs.

High-fidelity oversampling with high transparency for extremely high-quality audio processing throughout the entire signal path.

Complete built-in metering section with Peak, Phase and RMS meters plus RTA analyzer, Spectrogram, VU and PPM meters, Dynamic Range and Perceived Loudness with standards and genres suggestion, all bold following the ITU-R BS1770-4.

Modular mastering/mixing suite of dynamics and EQ processors including: Configurable mastering/mixing chain – runs up to 16 parallel/serial processors.

It's no coincidence that thousands of top-charting records have been made using T-RackS. From day one, an ever-growing number of professionals and enthusiasts have trusted our expertise and meticulous approach to creating the finest digital processors on the planet. Techniques and Tools: Practicum Notebooks Techniques and Tools: Practicum NotebooksĮamonn Bell - Preflight info 1.Since then we have been leading the way, setting an industry standard and crafting some of the world's best sounding plug-ins for professional applications. Network analysis I: Graph basics in Gephi (9/26) 4. Network analysis II: Reasoning about social networks with Gephi (10/3) 5. Text analysis I: Principles of text analysis with AntConc (10/24) 6. Text analysis II: Topic modeling with Voyant Tools (10/17) 7. Web APIs II: Authentication/Authorization (11/28) Preflight info Back to Top Pre-requisites Emulation: Principles of emulation (10/31) □ 8.

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Please download and install the following software in advance of the first class meeting:.MATCH Plugin for Sonic Visualiser download installation instructions.

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Snes9x download for Mac download for Windows.

Please also make sure that you know how to:

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zip file (“compressed folder”) from this folder ( Mac OS X Windows)įor each practicum session, you will be expected to submit a single. Please create a folder for each session, and a folder for each exercise within that folder.

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Each exercise will specify precisely which files you will have to submit to be considered for full credit for that practicum. These files will be submitted via Courseworks, under the Assignments page. You should be able to finish the assigned tasks during the scheduled practicum time.

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If you are finished early, feel free to leave the lab-or stick around and help your peers, if you are interested in learning how to be an effective peer leader. If you do not finish in time, you have until 11:59 p.m. on the day of the practicum session to submit the completed work. You may not take advantage of this extension if you do not attend the entire lab: i.e. Read the notebook in advance of the practicum session attendance at the lab session is compulsory. In general, I assume no prior expertise with any of these tools, though I expect you to have basic computational literacy as an end user (know how to install and run new programs, organize files on disk, use the Web, etc.). If you are having trouble keeping up, please don’t hesistate to work through your questions at office hours. Some weeks may be more straightforward for you than others: that’s ok. Don’t be afraid to ask for help from me or from your peers during the practicum. If you find yourself hoping to help your peers or to work through something together, the four social rules described here are worth bearing in mind. Sonic Visualiser I (9/12) Back to Top From analog to digital try not to act surprised when someone doesn’t know somethingġ.They are not binding, but have been shown to be particularly effective in instructional settings, where peer learning is encouraged. Music is sound and sound is vibrating air.

The earliest recording technologies captured the motion of the air and mechanically transfer this motion to a recording surface: first, rotating wax and foil cylinders eventually, vinyl records. The motion caused by the changing air pressure, traveling through a mechanical linkage, caused a stylus to move creating a groove of varying depth on the recording medium. The contours of this groove are the material trace of the recorded sound.

To play back the sound, the flow of motion would essentially be reversed: the rotating disk causes the stylus to move, very slightly, retracing the grooves made during the recording process and causing a loudspeaker cone to vibrate analogously, setting the air in motion more or less as it was recorded, resulting in playback. The phonograph permitted for the first time the recording of vibrations that human ears could not count, human eyes could not see, and writing hands could not catch up with.